Lake Norman Monster: A Decade of Sightings (2002-2012)

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Monster Sightings | Lake Norman Monster

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    Gerhard Richter: Books takes an in-depth look at his work in this medium. It features a book-length interview with the artist by internationally renowned art critic and historian Hans Ulrich Obrist, who walks us through the Richter archive and discusses the work with the artist himself, affording the reader an entirely new perspective on his works. The book also includes a new text by Kunstmuseum Winterthur director Dieter Schwarz. Edited with text by Sara Harrison. Reproducing over works on paper from the past 50 years, this retrospective publication presents a crucial part of British sculptor Phyllida Barlow's born oeuvre.

    A never-before-published interview between the artist and Hans Ulrich Obrist provides insight into drawings that are not preparations but, rather, daily exercises done before, during and after the creation of her sculptures. While the works on paper range in style, they demonstrate a consistency in color and form in their exploration of ideas related to structures, architectural interiors and urban surroundings. Barlow's works on paper date back to the early s when she was a student at Chelsea College of Art in London.

    Edited by Liam Gillick, Philippe Parreno. Using imported sand, the space was transformed into a beach and a moonscape. In , the curator and art critic Hans Ulrich Obrist born organized an unannounced exhibition in a hotel room in Paris, where he lived for the duration of the show. This publication tours the now-legendary event, documenting the work of the 70 invited artists. Photographs by Darius Khondji. Text by Fabrizio Gallanti, Smiljan Radic. A semi-translucent, cylindrical structure that resembles a shell and rests on large quarry stones, its torus-shaped fiberglass shell resembles the cast-off chrysalis of some bulbous insect.

    Text by Mario Codognato.

    First FLATHEAD CATFISH on Lake Norman

    The Visual Candy paintings were made between and The works showcase the ways in which Damien Hirst used the signifier of candy during the early 's, exploring questions of pure aesthetics. Hirst says they were created as a direct riposte to an art critic who had dismissed Hirst's Spot Paintings as "just visual candy.

    While ostensibly abstract, the paintings in fact depict medicinal pills, and can be seen as a stylised depiction of the psychological effects of happy, mood-enhancing drugs. The horror underlying everything," In this context, the Visual Candy paintings, despite their surface optimism, posses a disquieting undercurrent of tension and darkness - born from an awareness of the inevitable low that follows any high. Hirst once said that "art is about life - there isn't anything else.

    Edited by Li Zhenhua, Zhang Moyi. What I Like to Do is the first full monograph on Chinese artist Yan Lei born , whose paintings, based on digitally reduced photographs, explore the structure and function of the global art market as it relates to his own career. Text by Thomas Girst. Edited by Christoph Doswald. Art and the City explores the condition of public art in cities.

    Divided into two volumes shrinkwrapped together--one of color plates, the other of critical discussion--it includes works by artists such as Doug Aitken, Ai Weiwei, Los Carpinteros, Martin Creed, Frank Stella and Oscar Tuazon. Daniel Buren Published by Silvana Editorale. Edited by Alberto Fiz. This book gathers a number of public artworks by the celebrated French artist Daniel Buren born , all of which deploy various sculptural realizations of his stripe motif in path-like structures.

    The volume is published on the occasion of his installation at the Scolacium Archaeological Park in Calabria, Italy. Edited and with introduction by Hans Ulrich Obrist. Foreword by Kate Fowle. Text by Bruce Altshuler. Curated by Hans Ulrich Obrist, Do It began in Paris in as a conversation between the artists Christian Boltanski and Bertrand Lavier and Obrist himself, who was experimenting with how exhibition formats could be rendered more flexible and open-ended.

    To test the idea, Obrist invited 13 artists to send instructions, which were then translated into nine different languages and circulated internationally as a book. With every version of the exhibition new instructions were added, so that today more than artists have contributed to the project. To mark the twentieth anniversary of this landmark project, this new publication presents the history of this ambitious enterprise and gives new impetus to its future.

    More Than You Wanted to Know About John Baldessari presents Baldessari as storyteller, moralist, teacher and occasional gadfly, always concerned to accomplish what he describes as the central task of art making: to communicate in a way that people can understand. With numerous never-before-published texts and facsimiles of original documents, this long-anticipated collection will prove essential reading for anyone involved in contemporary art. Text by John Berger. The resulting collection of interviews provides a rare insight into how the work and working method of one of the most prominent artists of a generation has developed over time, and uncovers the ideas, influences and collaborations that lie behind his multi-layered and multimedia creative output.

    British video artist and filmmaker Tacita Dean born is internationally admired for her patient and sensitive approach to her subject matter, explored in conversation with Hans Ulrich Obrist in this collection of in-depth interviews. In her Berlin studio, at a conference and on a train journey, they discuss her film portraits of architectural structures and personalities such as Merce Cunningham, Michael Hamburger, Mario Merz and Cy Twombly; her fervent collecting and reworking of analogue material--postcards, four-leaf clovers, albumen prints--and the things that have informed and influenced her artistic output over the past two and a half decades.

    The result is a broad and invaluable introduction to one of the most important British artists of our times, full of fascinating anecdotes and insights into her working methods and illustrated with black-and-white images of her work. Edited by Anri Sala. Edited by Anri Sala, this volume collects his doodles, made on printouts of his daily agenda, office notes, protocols, faxes and other official correspondence.

    Edited by Andrea Bellini. A founding member of Arte Povera, Gianni Piacentino born has pursued a path that has taken him from early Minimalist structures to sculptures influenced by modern industrial design, celebrating the dynamism of motorcycles, automobiles and planes.

    This book spans his career from to the present. Foreword by Carolyn Christov-Bakargiev. Text by Defne Ayas. Text and interview by Hans Ulrich Obrist. Edited by Heinz Peter Schwerfel. Visual artists frequently work with the raw material of cinema, shooting with movie stars, professional technology and special effects, and telling lavish stories in single- and multi-channel works.

    Are art museums the cinemas of the future? Edited by Kathryn Rattee. Text by Daniel Birnbaum. Text by Niklas Maak. The Serpentine Gallery Pavilion is designed by award-winning Japanese architect Sou Fujimoto born --the thirteenth and, at 41, youngest architect to accept the invitation to design a temporary structure for the Serpentine Gallery. It is designed as a flexible, multipurpose social space.

    This volume documents the project. Reflecting on 20 years of making art, Jeff Koons talks to Hans Ulrich Obrist about his vocation and its frequently controversial highlights. Stay focused, then amazing things can happen. How Soon Is Now? Published by Luma Foundation. Edited by Tim Griffin. Introduction by Maja Hoffmann. Some of the works included explore personal and intimate investigations by the artists, some filter and document everyday experiences or words, and some endow photographs with material presence as physical objects.

    A common element is the use of collage, video, film, installation or sculpture. Text by Guo Xiaoyan, Gunnar B. Foreword by He Juxing. Windflower Perceptions of Nature Published by nai publishers. Edited by Marente Bloemheuvel, Toos van Kooten. This catalogue gathers work that explores recent changes in the perception of nature. Edited by Hans Ulrich Obrist. Hans Ulrich Obrist caught up with Sejima on several occasions throughout the past few years.

    They discussed her built and unbuilt projects, her collaborations with other architects and artists and the changing role of women within architecture. Since the mids when he started out as a fledgling critic, Dan Graham has carved out a unique role for himself, expanding the scope of the Conceptual artist to incorporate art criticism, music criticism, photography and architecture. For this volume, curator Hans Ulrich Obrist met with Graham on several occasions to discuss the artist's work, life and the numerous interests he passionately follows.

    The conversation thus wanders seamlessly from architecture to rock and roll, philosophy to astrology, Graham's early performance pieces, photography and articles, to the films and glass pavilions for which he is best known today. A fountain of art folklore, Graham offers recollections of friends and colleagues, art work and influences, providing an invaluable insight not only into the New York art scene of the 60s and 70s, but also one of its most influential representatives. Text by Paul Virilio, Samantha Hardingham. Renowned French architect Jean Nouvel designed the Serpentine Gallery's pavilion for , and created a commanding, eye-catching all-red structure designed to mimic the moment "when the summer sun catches you full in the eyes and, as you blink, the world dissolves into red.

    Everything you ever wanted to know about Hans Ulrich Obrist but were afraid to ask has now been asked, revealing the truth from the beginning of his career as a young curator in his Zurich kitchen to his recent position as co-director of the Serpentine in London. Supporting the structure from below, eleven columns symbolize past pavilions, and a twelfth represents the current one. Foreword by Yoko Ono. Text by Alexandra Munroe. Chrissie Iles.

    As a pioneering conceptual artist, performance artist, film-maker, poet, musician, writer and peace activist for over five decades, Yoko Ono born has influenced several generations of artists, musicians and cultural workers across the globe. Throughout her career, Ono has explored an incredible range of media, coining new kinds of artistic genres--most notably with her instruction pieces, which she began making in the s and continues to devise today. For the Serpentine Gallery, I selected pieces which had the strongest vibration to take us to the light.

    Conceived as a way of connecting people across the world, users are invited to upload images of their smiles via Twitter and Instagram, creating a global string of smiles. Included in this volume are reproductions of installations, films and performances, plus archival material relating to several key early works. Edited by Helena Tatay. Text by Brigitte Huck, Helena Tatay. Hans-Peter Feldmann born is a virtuoso taxonomist of contemporary visual culture.

    Grids of seagulls and postcards share space with lighthearted photobooth snaps of people crossing their eyes and a variety of other visual gags. At once intimate and accessible, Catalogue includes a lengthy, playful interview with Hans Ulrich Obrist and Helena Tatay, in which Feldmann looks back over his career, discussing inspirational figures such as Marcel Broodthaers, Bruno Goller and Konrad Klapheck and his favorite books. Interviews by Hans Ulrich Obrist. The last decade has witnessed a noticeable return to utopia and utopian thinking in contemporary art.

    This volume convenes artists, academics and curators to discuss different ways of thinking and performing utopia. Edited by Nicola Lees, Lucia Pietroiusti. Introduction by Hans Ulrich Obrist. Foreword by Julia Peyton-Jones. Intended as a continuation of the overlap between twentieth-century poetry and art in Dada, Cubism, Surrealism, the New York Schools and Fluxus, this ambitious occasion is now commemorated in this page volume.

    • Des business angels au crowdfunding (Finance et Innovation) (French Edition)?
    • Der voseo in Argentinien und Chile (German Edition).
    • Lake Norman Monster Sightings.
    • Victorian City and Country Houses: Plans and Details (Dover Architecture)?
    • Awaken Perfection.
    • Lake Norman Monster | What lurks in Lake Norman?.

    Glissant, one of the most influential figures of the French-speaking Caribbean and a pioneer of postcolonial thinking, called attention to "means of global exchange which do not homogenize culture but produce a difference from which new things can emerge. In his introduction, Obrist creates a multilayered portrait of the intellectual, laying out some of his key concepts: the creolization of the world, "archipelic thought," and the museum as archipelago, as well as utopia.

    These ideas are explored by Glissant in a selection of title pages of his books with drawings, notations and poetic dedications that are reproduced here in facsimile. The book documents an extraordinary, imaginative exhibition curated and designed by Hadid, which examines this conjunction across four themes or aesthetic qualities: Abstraction, Distortion, Fragmentation and Flotation. The exhibition, held in the Galerie Gmurzynska in Zurich in the summer of , was effectively a continuous art installation or environment, with the rooms dramatically striated and sculpted in angular black and white patterns.

    Each room in the space was divided into Congolese and Western areas, creating an environment where guests enjoyed the fruitful coexistence of two different cultures. Internationally celebrated Swiss curator and cultural mastermind Hans Ulrich Obrist never looks back. Now, he turns to China to further his ongoing speculative narrative. Co-published with the Ullens Center for Contemporary Art, this is the first installment of a new series published by Pinacoteca Giovanni and Marella Agnelli.

    Rirkrit Tiravanija is easily one of the most important artists developing the social and relational aspects of art today. He has transformed gallery spaces into de facto banquet halls, pirate radio stations and even a replica of his own apartment, and in so doing he insists on social interaction, generosity and sociality as components of the art-going experience. The transfer of such activities as cooking, eating or sleeping into the realm of the exhibition space put visitors into very intimate if unexpected contact.

    Subodh Gupta born agglomerates everyday Indian household objects such as cooking utensils into monumental entities such as mushroom clouds or skulls, often sabotaging the fiction of intrinsic value through witty inversion and conjunction. Among the fruits of his methods are sculptural works such as bronze mangos, Hindu-swastika ceiling fans and worn-out sandals placed alongside three-dimensional Mona Lisas. Gupta's mostly found materials, which range in texture from aluminum, bronze and stainless steel to fiberglass and neon, identify themselves as Indian in origin, but are recomposed into sculptural meanings accessible to all nationalities one implication of the title's "common man".

    This monograph is published on the occasion of Gupta's first solo exhibition in London; alongside full-color reproductions, it includes an interview between Gupta and Hans Ulrich Obrist and an essay on the artist's work by Martin Herbert. This publication shows the progression of Mosbacher's career with plates of early as well as recent works, illustrating his early personal mythology and his more recent use of photography and mass media. Marking the ten-year anniversary of Fernando Romero's Laboratory of Architecture, this publication celebrates the work of the young Mexican architect.

    The firm has produced a vast collection of designs and buildings ranging from the orthogonal to the fluid and organic. With offices in Mexico City and Los Angeles, the firm has consistently lived up to its name, demonstrating a willingness to experiment with new materials and methods while serving a diverse international clientele. LAR has worked to create luxury apartments and low-cost housing projects, museums and banks, schools and bridges.

    Designed by the artists, it commences with their first performance at Nigel Greenwood Gallery in , "3 Living Pieces"--flanking the title with the year on the left margin and the acronym "LS" "living sculpture" on the right--and opens out into the more poetical titles for which they are known. The catalogue of works is also printed alphabetically, and each title is identified with an acronym indicating its format. Spanning more than 40 years of exhibitions, pictures, postcards, books and other formats, this volume constitutes an epic of accidental verse.

    Edited by Andreas F. Beitin, Peter Weibel. Interview by Sacha Goldmann with Paul Virilio. Two allegorical installations on celebrity and its implications of "the one" the celebrity and "the many" the rest of us were devised for the duo's exhibition at the ZKM Center for Art and Media in Karlsruhe, and are here documented across color plates. The book includes interviews with the duo and with French philosopher Paul Virilio. Kvaran, Thierry Raspail. Following the rapid economic and cultural developments on the Indian subcontinent in recent years, Indian Highway is a timely snapshot of a new generation of artists.

    Based in Berlin showcases some 80 emerging artists currently living and working in Berlin, pursuing practices ranging from painting and drawing to sculpture, photography, film and video, text, performance and installation. The publication is produced through the initiative of the same name, and is the result of hundreds of studio visits made since November Conversation with Hans Ulrich Obrist.

    Born in in the ancient Persian city of Qazvin, Monir Shahroudy Farmanfarmaian spent her childhood in a grand old house replete with stained glass, wall paintings and nightingales. Coming of age during World War II, she left occupied Iran and audaciously set out for New York, where she was quickly absorbed into the city's thriving avant garde.

    In the decades to follow, during successive exiles in Tehran and New York, Farmanfarmaian developed an intuitive yet painstakingly crafted artistic practice in mirror mosaic and reverse-painted glass that weds the cosmic patterning of her Iranian heritage with the rhythms of modern Western geometric abstraction.

    Edited by Benoit Detalle. Situating themselves at the intersections of art, cinema, documentary and fiction, the critically acclaimed films and video installations of Johan Grimonprez born explore the mechanisms by which fear and ignorance are perpetuated and whipped up in the media. This Grimonprez reader gathers essays on and film scripts from his work. Philippe Parreno rose to prominence in the s among a group of artists later gathered under the rubric of Relational Aesthetics.

    Parreno has sought to redefine the exhibition experience as a coherent object rather than a collection of individual works. In this spirit, his recent exhibition at the Serpentine Gallery constitutes an environment through which the visitor is guided by an orchestration of sound and image. Edited and text by Claudia Emmert.

    Over the fall of , visitors to the serene and stately grounds of Kensington Gardens in London encountered four monumental stainless-steel sculptures by Anish Kapoor, carefully situated to reflect and distort in their mirrored surfaces the weather, the wildlife and the changing colors of the surrounding foliage. Visible from afar, Kapoor's sculptures interact with the locale with a tremendous sensitivity, while opening up whole new vistas and indeed "turning the world upside down. Illustrated with full-color plates of these works in situ, Turning the World Upside Down in Kensington Gardens is also the first Kapoor monograph to offer a comprehensive overview of all of the artist's stainless steel sculptures.

    But unlike so many Pop artists, Hamilton was never an uncritical or ambivalent advocate of postwar society, and he has often agitated directly against it, producing a great deal of openly political, satirical work that assaults both consumer culture at large and more immediate political events. This monograph, published for Hamilton's exhibition at the Serpentine Gallery in London his first exhibition since , brings together Hamilton's famous "protest" paintings as well as newer political works and features essays by Benjamin H. Buchloh and Michael Bracewell. What Good is the Moon?

    In addition, her projects have simultaneously provoked and deflected intense curiosity about who could possibly want to publicly subject herself to such agonizing conditions: who, in short, is Marina Abramovic? By Dorothea von Hantlemann. Foreword by Hans Ulrich Obrist. Art has never been as culturally and economically prominent as it is today. How can artists themselves shape the social relevance and impact of their work? In How to Do Things with Art , German art historian Dorothea von Hantelmann uses four case study artists--Daniel Buren, James Coleman, Jeff Koons and Tino Sehgal--to examine how an artwork acts upon and within social conventions, particularly through the "performing" of exhibitions.

    The book's title is a play on J. Austin's seminal text, How to Do Things with Words , which describes language's reality-producing properties and demonstrates that in "saying" there is always a "doing"--a linguistic counterpart to the dynamics envisioned by Von Hantelmann for art, in which "showing" is a kind of "doing.

    On January 31, , Swiss curator, critic and historian Hans Ulrich Obrist conducted a "marathon" of conversations in Beijing, after the example of his famous Serpentine Gallery marathons. This marathon called on artists, cultural producers and media practitioners to discuss the post-Olympic state of the city. Participants included internationally renowned artists Ai Weiwei and Cao Fei, writer and publisher Hung Huang, fashion designer Zhang Da and many others.

    Topics discussed included everyday life in contemporary Chinese society, the impact of the Olympic Games and the role of the internet in daily life. Coming at a moment when manifestos, having ceased to spearhead artistic movements, seem ripe for reinvention, Manifesto Marathon collects statements and declarations of all kinds from artists and contributors from the worlds of literature, design, science, philosophy, music and film.

    In this volume, Hans Ulrich Obrist elicits from New York art veteran Yoko Ono a portrait of her life and career that is unprecedented in detail. Across five interview sessions, Obrist quizzes Ono about her earliest works in visual art and music in Japan, her musical development in New York, her friendship with John Cage, her Fluxus days, the founding of the new state of Nutopia with John Lennon and her ongoing campaigns for world peace and human rights.

    Ono also recounts here the genesis of her installations and performances, so many of which have since become classics of their genre. Throughout these discussions with Obrist, in which architects and artists such as Rem Koolhaas and Gustav Metzger also participate, this icon of twentieth-century culture shows herself to be a generous and smart personality, and a multifaceted artist of enormous influence. Here, Hans Ulrich Obrist and Hans-Peter Feldmann have decided to play with the interview format: Obrist poses the questions in writing and Feldmann answers each of them with a picture.

    The results are frequently funny, and an impressive exercise in visual thinking. The British architect Cedric Price completed relatively few buildings, but through his drawings, proposals, teachings and conversations, he exerted an enormous influence across many disciplines. For Price, as for an increasing number of architects today, architecture was an instrument towards social and pedagogical growth, and not an aesthetic gesture in itself.

    His two most famous structures of the early s, the Fun Palace and the Potteries Thinkbelt were both intended to foster social cohesion, and were executed as short-term structures. Hans Ulrich Obrist met the great visionary and architectural theorist several times between and his death in , and spoke with him about his ideas and his most important projects. The result is a spirited and vivid portrait of Cedric Price's life and work.

    Pioneer of Auto-Destructive art, affiliate of Fluxus and the subject of several books but never a full retrospective, Gustav Metzger born at last receives a substantial retrospective on more than half a century of activity. With essays and an interview, Decades records Metzger's passionate war with art for the sake of a more peaceable world. Gerhard Richter and Hans Ulrich Obrist first met in Their professional collaborations began seven years later, when the year-old Obrist curated his first Richter exhibition; the following year he published a collection of his writings.

    Now Gerhard Richter has dedicated an artist's book to this longstanding relationship. The texts in Obrist-O'Brist have been produced by rearranging Obrist's interviews using a random generator, setting the results in blocks without discrete passages or paragraphs. Chiming with many currents in contemporary writing and bookmaking, Obrist-O'Brist is an adventure from cover to cover; it even has two different sleeves, and can be approached from either end as frequent upside-down pages indicate. Throughout this beautiful publication runs a series of collaged and overpainted postcards by Kelly, dating from to , which are reproduced here for the first time.

    These postcards, referred to throughout the dialogue, are unlike any of Kelly's paintings and sculptures, particularly in their use of body imagery; others are closer to familiar Kelly terrain, as projections of torn colored paper forms onto found landscapes and architecture. This artist's book makes a wonderfully unusual record of a warm encounter.

    This bilingual book is built around Thomas Demand's exhibition Nationalgalerie , held at the Neue Nationalgalerie in Berlin. Obrist and Demand's conversation examines the exhibition, Demand's literary influences and collaborations, and the logistics of exhibition spaces. An ongoing program of temporary structures designed by internationally acclaimed architects, The Serpentine Gallery Pavilion commission was conceived by the institution's director, Julia Peyton-Jones, in , and is unique worldwide.

    Sejima and Nishizawa created a stunning structure that resembles a reflective cloud or a pool of water, sitting atop a series of delicate columns. The metal roof varies in height, wrapping itself around the trees in the park and sweeping down almost to the ground in some places. Open and ephemeral in structure, its reflective materials allow it to sit seamlessly within the natural environment, reflecting both the park and sky.

    This publication documents the conception, construction and life of this impressive temporary structure. Puerto Rico-based American and Cuban-born Jennifer Allora and Guillermo Calzadilla are known for their playful, socially-involved, sound-based installations, videos and performances.

    This well-designed volume presents recent works that investigate how power, militarism and war are encoded into sound. Hans Ulrich Obrist has been a staunch supporter of the Los Angeles maestro of Conceptualism John Baldessari from early on in his career. For these conversations, the artist and curator were joined by, among others, the Uruguayan artist and author Alejandro Cesarco, a friend and previous public interlocutor of Baldessari's. Baldessari himself offers readers insight into the motives and semiotics of his multimedia work and his life as an artist, always expressing himself with precision and with wit.

    A recurrent topic throughout these discussions is the interaction of text and image on which so much of Baldessari's work leans , and issues such as the museum as institution, idea archives and unrealized projects, and on his career, exhibitions and retrospectives of the past few years. Since Hans Ulrich Obrist--museum director, curator, writer, cultural instigator and professional conversationalist--released his bestselling first volume of interviews back in , one wonders if there is a living artist, musician or writer left with whom Obrist hasn't recorded an interview.

    Happily, of course, there are plenty. Obrist--who was born in Zurich in , and who joined London's Serpentine Gallery as Co-Director of Exhibitions and Programmes and Director of International Projects in makes it his business to cross paths with the most significant thinkers of our time, from in or outside the artworld. Since , he has conducted literally hundreds of interviews. The 70 published here are taken from an archive containing nearly 2, hours of recordings and organized by interviewees' dates of birth. Encyclopedic in scope but intimate in tone, these exchanges provoke unexpected torrents of biographical trajectories, theoretical adventurings and inklings of projects to come.

    Edited by RoseLee Goldberg. Text by RoseLee Goldberg. Assembled by the pioneering scholar of performance art, RoseLee Goldberg, this volume documents new performances by some of the world's most exciting visual artists, focusing on the relationship between contemporary dance and visual art, the ongoing legacy of "Happenings" inventor Allan Kaprow and the recent explosion of performance in China. By Carolee Thea. Edited by Thomas Micchelli. On Curating , Carolee Thea's second volume of interviews with ten of today's leading curators, explores the intellectual convictions and personal visions that lay the groundwork for the most prestigious and influential exhibitions in the world today.

    Among the aesthetic and theoretical issues raised are the relationship between artist and curator, globalism, post-colonialism, capitalism, the future of cultural tourism and the biennial as spectacle or utopian ideal. As Thea notes in her introduction, "the biennial or mega-exhibition--a laboratory for experimentation, investigation and aesthetic liberation--is where the curators' experience and knowledge are tested. As they negotiate venues for artistic expression, intellectual critiques and humanistic concerns in their own societies and others, they are challenged by the certainties and uncertainties of a constantly evolving future.

    Carolee Thea is a curator, critic, art historian and independent scholar. Her articles, reviews and interviews have been published in many arts journals, among them Parkett, Artforum. Introduction by William Gibson. New paperback edition! Called, "A ripe blend of master craftsmanship and Monty Pythonesque lunacy" by Monument and, "A treasure trove," by The Bookseller , You Can Find Inspiration in Everything is now in its third printing and still going strong. Far from being just a fashion monograph, this volume "images" Paul Smith's brain on the page, presenting original and often humorous thoughts and ideas--found in shop windows, advertising campaigns, photographs and souvenirs brought back from world travels--that became the inspiration for the look of the season.

    In addition to texts and images by the renowned British designer himself, collaborations include an account of Smith's teenage obsession with cycling by Guardian sportswriter Richard Williams; a fictional text by celebrated novelist James Flint; interviews with neuroscientist Dr. Semir Zeki and curator Hans Ulrich Obrist; two posters; and The Bunny , a comic book within the book, complete with a cryptic crossword, puzzles, a fold-out board game and illustrations by various acclaimed artists and designers. Preface by Hans Ulrich Obrist.

    And in North Carolina, Lake Norman is home to Normie, a lake monster reported to look like an overgrown alligator. Watch online now! Does a Monster live in Lake Norman? Children's Story Book. Buy Now. A Decade of Sightings Book.