A Moreninha (Great Brazilian Literature Livro 21) (Portuguese Edition)

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Clean, bright pages except for the last page, which has the author's name and address written on it. Wraps have overall shelf wear. Signed by author on ffep with additional inscription. Wraps have light overall handling wear. Pages bright, generally clean with some dog-eared pages and occasional marks toward end of book and previous owner's name on ffep.

Cloth over boards is edge rubbed. DJ has small scraped area at top front, light overall shelf wear. Binding sound. Pages clean, off-white, except for pp. Wraps have overall handling wear. Clean, lightly tanned pages. Wraps have soiling, heavy handling wear. Wraps have light edge rubbing. Anthology of essays about the work of German playwright Bertolt Brecht Many contributors. Panorama da obra de Brecht. Wraps have very slight handling wear. Fiction by Brazilian author Isaias Pessotti Portuguese Edition; 8. Wraps have general light handling wear. Brasiliana; Vol. University of Georgia Press, DJ has general shelf wear.

Nossa terra; 8. Previous owner's name on ffep. Pages clean, off-white.

Joaquim Casimiro

Teatro Hoje; Vol. Wraps have general shelf wear. Bok is in the Portuguese language. Wraps have slight shelf wear. Pages clean, bright. DJ has edge wear with shallow chip at top of spine. Very Good in Good dust jacket. Wraps have edge rubbing, light overall shelf wear. Pages have occasional notations, light tanning. Play by Brazilian authors. Please enter your password Forgotten your password? Continue Cancel Send email OK. Narrow your search:. Page 1 of 5.

Joaquim Casimiro

Next page. Recent searches:. Portuguese author, journalist and politician. From La Ilustracion Artistica, published Portuguese writer. Statue of Arnaldo Gama, portuguese journalist and author. English: Portuguese ships 16th century Livro das Armadas. Portugal's greatest poet.


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From Hutchinson's History of the Nations, published Portuguese politician and writer. Prolific Portuguese writer. Portuguese Neoclassic poet.

Joaquim Casimiro | Revolvy

Miguel de Silveira Spanish poet of Portuguese origin. Author of epic poems. Engraving, By unidentified author, publ. They go naked, without any covering; neither do they pay more attention to concealing or exposing their shame than they do to showing their faces, and in this respect that are very innocent.

And then they stretched themselves out on their backs on the carpet to sleep without taking any care to cover their privy parts, which were not circumcised, and the hair on them was well shaved and arranged.

Joaquim Macedo

At that place there assembled at once some two hundred men all naked… [31]. And then they brought him [the convict] back to us, and with him came the others whom we had brought. These were now naked and without caps. Others wore caps of yellow feathers, others of red, others of green; and one of the girls was all painted from head to foot with that paint, and she was so well built and so rounded and her lack of shame was so charming, that many women of our land seeing such attractions, would be ashamed that theirs were not like hers.

None of them were circumcised but all were as we were. There were also among them four or five young women just as naked, who were not displeasing to the eye, among whom was one with her thigh from the knee to the hip and buttock all painted with that black paint and all the rest in her own colour; another had both knees and calves and ankles so painted, and her privy parts so nude and exposed with such innocence that there was not there any shame.

There was also another young woman, carrying an infant boy or girl tied at her breasts by a cloth of some sort so that only its little legs showed. But the legs of the mother and the rest of her were not concealed by any cloth. For purposes of racial crossing, miscegenation.

Here the Christians behave exactly as if there were no Sin beneath the equator, though, if we are to believe the poem, Sin is hardly absent from this natural tropical world.


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Of course, to be considered is the fact that in the self-enclosed world of the poem these women will never be caught, whether they wish to be caught or not. Indians along the edges of the scene, milling about in various poses and strikingly different attitudes toward the unfamiliar behavior of the strangers newly come among them. What is entirely missing in this depiction of the natives is any sign of suspicion or fear of the Christians among the Indians.

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A naked Indian holds her child to her breast. Two Indians are perched in a tree, one of whom seems to be watching — expectantly. Another one sits on the ground, watching intently, his chin resting on his folded hands. Several others show surprise, fascination with the unfamiliar ritual playing out before them. The Christians attending the Mass—some of them in full armor—seem almost oblivious to the presence of the curious outsiders—the Indians. Of large national import, this painting has even found its way onto the verso of the cruzeiros bill of a generation ago that honors the Portuguese explorer Pedro Alvares Cabral.

Here is something more than the hint of pursuit, capture, and rape.

He will not have you miss his point. Thus, Senhor, the innocence of this people is such, that that of Adam could not have been greater in respect to shame. Samuel Putnam, 2nd ed.



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