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From Hutchinson's History of the Nations, published Portuguese politician and writer. Prolific Portuguese writer. Portuguese Neoclassic poet.
Joaquim Casimiro | Revolvy
Miguel de Silveira Spanish poet of Portuguese origin. Author of epic poems. Engraving, By unidentified author, publ. They go naked, without any covering; neither do they pay more attention to concealing or exposing their shame than they do to showing their faces, and in this respect that are very innocent.
And then they stretched themselves out on their backs on the carpet to sleep without taking any care to cover their privy parts, which were not circumcised, and the hair on them was well shaved and arranged.
At that place there assembled at once some two hundred men all naked… . And then they brought him [the convict] back to us, and with him came the others whom we had brought. These were now naked and without caps. Others wore caps of yellow feathers, others of red, others of green; and one of the girls was all painted from head to foot with that paint, and she was so well built and so rounded and her lack of shame was so charming, that many women of our land seeing such attractions, would be ashamed that theirs were not like hers.
None of them were circumcised but all were as we were. There were also among them four or five young women just as naked, who were not displeasing to the eye, among whom was one with her thigh from the knee to the hip and buttock all painted with that black paint and all the rest in her own colour; another had both knees and calves and ankles so painted, and her privy parts so nude and exposed with such innocence that there was not there any shame.
There was also another young woman, carrying an infant boy or girl tied at her breasts by a cloth of some sort so that only its little legs showed. But the legs of the mother and the rest of her were not concealed by any cloth. For purposes of racial crossing, miscegenation.
Here the Christians behave exactly as if there were no Sin beneath the equator, though, if we are to believe the poem, Sin is hardly absent from this natural tropical world.
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Of course, to be considered is the fact that in the self-enclosed world of the poem these women will never be caught, whether they wish to be caught or not. Indians along the edges of the scene, milling about in various poses and strikingly different attitudes toward the unfamiliar behavior of the strangers newly come among them. What is entirely missing in this depiction of the natives is any sign of suspicion or fear of the Christians among the Indians.
A naked Indian holds her child to her breast. Two Indians are perched in a tree, one of whom seems to be watching — expectantly. Another one sits on the ground, watching intently, his chin resting on his folded hands. Several others show surprise, fascination with the unfamiliar ritual playing out before them. The Christians attending the Mass—some of them in full armor—seem almost oblivious to the presence of the curious outsiders—the Indians. Of large national import, this painting has even found its way onto the verso of the cruzeiros bill of a generation ago that honors the Portuguese explorer Pedro Alvares Cabral.
Here is something more than the hint of pursuit, capture, and rape.
He will not have you miss his point. Thus, Senhor, the innocence of this people is such, that that of Adam could not have been greater in respect to shame. Samuel Putnam, 2nd ed.